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Gerald Wu

Filmmaking as a Visual Learning Tool

Updated: Aug 22, 2021

Filmmaking is a creative learning tool. It was pioneered by the University of Sheffield (Allam, 2008). This method has promoted the user to be fully engaged in what is being taught while generating an enthusiastic and enriched learning environment. Text is now replaced by visual media to appeal to the senses, particularly sight. Previously, the main teaching methods were based on writings and books. Students would have to read and ingest the contents, while maintaining their own curiosity and motivation. The current classroom is now using filmmaking as a way to increase the students’ abilities while creating a short film to showcase as a learning tool.



Approach


Clark and Mayer (2018, p. 78) state that even though there has been increased activity within the textbook design and content, the difficulty lies in the creator’s structure to show its overview and relevance in a quick and easy fashion. The creator must juggle the student’s motivation, volition, design elements and current trends. The use of filmmaking can alleviate these issues. There are many ways now affordable to the instructional designer that can keep the student engaged within the materials. There is the use of colors, sounds, moving pictures, and other means to show the concepts to the student. Allam (2008) states that it can produce highly motivated students and makes learning easier and exciting. There is a sense of empowerment and motivation that the students will experience. They can also achieve different levels through tests or exams, discussions, assignments and more. According to Allam (2008), the students have experienced a better understanding of the materials and it changed their approach to research. However, to be successful in generating these materials, it does require a bit of experience and knowledge of the filmmaking process.


Implications


Ibrahim (2012) states that cognitive researchers have found three major challenges facing using multimedia materials in their educational means. The first is any information that competes with the essential content of what is being taught. The creator needs to filter out these extraneous materials and use only what is needed for the student to learn. They need to cut down the number of distractions which would lead to confusion or quitting outright. The second is including these extraneous materials but not possible to delete them. On this point, make them useful by incorporating them into the learning process. Show how the opposite could come true and show examples of those. The third is making the learning dynamic too complex for the student to understand. Sometimes the instructional designer could get too caught up in their own theory or practice. They need to make it simple and easy for all students to understand. The materials should include all the filmmaking techniques and media they can use, but in moderation so the students can grasp the materials quickly and the content addresses the needs of the assignment perfectly. This is truly a balancing act for what to include and the need to delete the complicated materials.


Execution


One of the main aspects of filmmaking is it is a hands-on learning activity. Clark & Mayer (2018) state that knowledge is learned when it is perceived to be meaningful to someone. According to the article, Canada Newswire (2012), more than 110,000 students showcased their history project videos at a Fair across the country. Their main Historical Society encourages students to film and re-enact historical milestones that matter most to them in their community. The two hundred students accomplished this task that they learned using the filmmaking process. It also brought historical perspective from their towns and cities to life. There were certain parameters to which the students had to adhere. The project was open only to students from grades 4-11. They had to research, role-play, and then film a short documentary about their topic. The judges had to pick only six winners from all these outstanding produced videos. The process the students went through taught them many lessons that can only be achieved when they are engaged in the learning behaviors and understand the consequences of their actions. There are many other ways to incorporate the filmmaking processes into your learning curriculum. The filmmaking process helps to develop the student’s creative aspects and tends to involve teamwork among them. There are many instances where making a film or using those produced videos in your curriculum can get the point across to the student easier and absorbed more quickly. Some students are visually motivated, and this caters to them perfectly. This is just another way that an instructional designer can reach the student and keep them engaged.


Reference


Allam, C. (2008). Creative Activity and its impact on student learning – issues of implementation. Innovations in Education & Teaching International, 45(3), 281-288. Https://doi.org/10.1080/14703290802176196


Canada Newswire. (2012). Learning history through filmmaking – six students digitally record their communities’ historic milestones to be honoured at governor general’s awards. Canada Newswire.


Clark, B.C., & Mayer, R.E., (2018). Motivation, volition, and Performance. In R.A. Reiser & J.V. Dempsey (Eds.), Trends in Issues in Instructional Design and Technology (3rd Ed.) (p. 78). Boston, MA: Pearson


Ibrahim, M., (2012). Implications of designing instructional video using cognitive theory of multimedia learning. Critical Questions in Education. 3(2), 83-104. http://web.a.ebscohost.com.oclc.fullsail.edu:81/ehost/detail/detail?vid=5&sid=addd3e91-53a4-4b0b-8beb-566102a9d489%40sdc-v-sessmgr02&bdata=JnNpdGU9ZWhvc3QtbGl2ZQ%3d%3d#AN=EJ1047003&db=eric

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8 Comments


dvboyer
Mar 12, 2023

One of the ways filmmaking techniques can benefit instructional designers is that it allows them to, “predictably influence motivation and volition in a positive way by applying a systematic process of design.” (Reiser & Dempsey, 2018) When an instructional designer follows design principles for filmmaking they have the opportunity to shape the learning experience. This is done from the very beginning in the writing process. When the instructor or teacher is designing content for video-based learning, they must think about the viewing audience and the methods needed to create motivation to not only view but engage and retain the information they want to present. Things like social presence in instructor led videos help to keep learners engaged in the information…


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 samangello
samangello
Jan 06, 2023

Case Study: by Sam Angello


Blog post: Filmmaking as A Visual Learning Tool

by Gerald Wu, 2021

Blog Link: https://drdeason.wixsite.com/201911-blog-idt520/post/filmmaking-as-a-visual-learning-tool

Motivation and Curiosity


Curiosity is the desire to answer one’s need to fulfill a void of knowledge that is missing (Reiser & Dempsey, 2018). Filmmaking is one way to fill that need. Back in 1998, in my school, I pioneered the first-ever video book report. So, from first-hand experience, I can tell you how valuable using video as a creative learning aid can empower a student's curiosity for learning. I found traditional learning boring, as Reiser & Dempsey stated, “It is possible to be curious about a topic but so bored by the delivery method that sleep is inevitable” (Reis…


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cautry
Jul 09, 2022

Global Engagement of Filmmaking


It is my opinion that filmmaking has evolved into a new rim of visual engagement infused with storytelling, collaboration and communication. The statement by Dillenbourg (2013) in your Filmmaking As A Visual Learning Tool blog post considered technology in the classroom as a failure that constantly required teachers interaction; because of various unexpected distractions and dysfunctional technology tools. Instructional designer teams have developed features for users to engage in various filmmaking platforms that do not cause interruptions or dysfunctional technology. Currently users have the ability to create dynamic content of inclusiveness visual communication, exploration of cultures and environments globally. Instructional designers create multimedia content that includes the elements of visuals, auditory, hands-on, interactive user engagement …


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Jose G. Figueroa
Jun 05, 2022

Curiosity

As a filmmaker myself I felt kind of obligated to comment on this case study. I still remember one of my cinematography professors saying that the main role of a filmmaker is one of a storyteller. Even if your cinematography and editing are mediocre, if you have a good story that arouses your viewer's curiosity and keeps people engaged long enough to the end then you have succeeded as a filmmaker and storyteller. Demsey & Reiser (2017) say that curiosity is aroused by uncertainty, a desire to answer questions, and a desire to resolve conflicts. I completely agree with the authors because the basic structure of a story is the beginning in which you have the exposition and conflic…


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eve7128
Jan 03, 2022

Film Making as a visual learning tool for the classroom should be mandatory in most classroom settings, as they fit. Film making is right up my lane because it is my passion and what I teach students to do on a daily basis. I do feel that the learning engagement is high when students have to learn to put together information and make it appealing to their peers or teachers. Right now video is in demand and what most learners of any content choose as a go to.


KNOWLEDGE GAP

Film Making to the average learner is something that they utilize in their every day social media lives but the knowledge of the subject is not as common. Learning ho…


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